F *TRADEMARK FOR FISHER & cO., NEWARK NJ FOR JEWELRY SINCE 1948
F *IN SCRIPT - TRADEMARK FOR FORSTNER , INC. IRVINGTON, NJ SINCE 1962
F *IN HORIZONTAL DIAMOND -
TRADEMARK FOR MAURICE GOLDSTEIN/FRANCO AMERICAN JEWLERY,
PHILADELPHIA SINCE 1926
FAJ *JEWELRY TRADEMARK FOR FACET JEWELRY CO., NEW YORK SINCE 1962
FB *JEWELRY TRADEMARK FOR JACK FISHER, NEW YORK SINCE 1962
FC *IN AN OVAL - TRADEMARK FOR LOSSAU & KRAMER, CHICAGO, IL. SINCE 1934
FC *JEWELRY TRADEMARK FOR FORSTNER CHAIN CORP. IRVINGTON, NJ SINCE 1920
FF *IN CIRCLE - TRADEMARK FORWALTHAM WATCH CO., SINCE 1962 (COSTUME JEWELRY AS WELL AS WATCHES.)
FGC *JEWELRY TRADEMARK FOR GEORGE COLBERT/FASCINATION JEWELRY, BEVERLY HILLS, CA since 1962
FJ *JEWELRY TRADEMARK FOR FRENCH JEWELRY CO., PHILADELPHIA PA. SINCE 1933
FLW *JEWELRY TRADEMARK FOR FRANK L. WILMARTH CO, CHICAGO, ILL. SINCE 1964
F.M.CO *JEWELRY TRADEMARK FORFINBERG MFG. CO., ATTLEBORO, MASS. SINCE 1944
FN *INTERSECTING A BROKEN TRIANGLE - TRADEMARK OF FERRO NOVELTY CO.., JOHNSTON, RI since 1962
FRG *FEDERAL REPUBLIC OF GERMANY
FRL *JEWELRY TRADEMARK FOR FEDERATED DEPT. STORES/F&R LAZARUS & CO., COLUMBUS, OH. since 1962
FABERGE *PERFUMER - NEW YORK C. 1930'S. "APHRODISIA", "TIGRESS"; ALSO COSMETICS LINE
FABERGE' , PETER
CARL *1846-1920 - GOLDSMITH OF
FRENCH DESCENT WHO LIVED IN RUSSIA. REKNOWN RUSSIAN
DESIGNER AND ARTISAN OF SOME OF THE
WORLD'S MOST EXQUISITE WORKS OF ART IN
JEWELRY AND OBJECTS D'ART USING PRECIOUS GEMS. NOTED FOR THE
IMPERIAL EASTER
EGGS THAT WERE PRESENTED TO TSARS ALEXANDER III AND NICHOLAS
II.
FABIL *JEWELRY TRADEMARK FOR FABIL MFG., NEW YORK FOR BOYS AND GIRLS JEWELRY SINCE 1945
FACE BEAD *TYPEOF BEAD WITH A FACE DESIGN. OLDER FACE BEADS ARE VERY COLLECTIBLE.
FACET *SMALL FLAT SURFACES CUT ONTO A GEMSTONE TO ENHANCE THE SPARKLE.
FACETED *BEAD OR STONE WITH FLATTENED CUT OR GROUND REFLECTIVE SURFACES. POLISHED AND REFLECTIVE.
FACO *JEWELRY TRADEMARK FOR FELCH-ANDERSON CO., PROVIDENCE RI SINCE 1946
FACTOR, MAX *PERFUMER, HOLLYWOOD, CA. C. 1940'S. "GOLDEN LAVENDER", "TROCADERO", LATER COSMETICS MFG
FAHRNER,
THEODOR *1868-1928 - JEWELRY
MFG. IN PFORZHEIM, GERMANY - MASS PRODUCED USUALLY IN LOW CARAT
GOLD
OR SILVER. HIS MARK IS "TF" BLOCK INSIDE A CIRCLE.
FAIRY QUEEN *JEWELRY TRADEMARK FOR
ORIGINALITIES OF NEW YORK, LONG ISLAND, FOR CHILDRENS
CHILDRENS JEWELRY SINCE 1953
FAIRYLAND *JEWELRY TRADEMARK FOR B.B.
GREENBERG, PROVIDENCE, RI FOR CHILDRENS JEWELRY SINCE
1962.
FALA *JEWELRY TRADEMARK FOR AURELIA BACHMAN, NEW YORK SINCE 1945
FAMOUS *PERFUMER - CHICAGO, ILL. C.
1950'S; "TRUE LOVE" (ALSO KNOWN AS VALMORE PRODUCTS)
PRODUCTS
FANITE *JEWELRY TRADEAMARK FOR ATLAS CREATIONS, NEW YORK SINCE 1942 FOR PLASTIC JEWELRY
FARA *JEWELRY TRADEMARK FOR BEN BERCHMAN & CO., NEW YORK SINCE 1952
FASHION ART *JEWELRY TRADEMARK FOR MAYER BROS., SEATTLE, WA. SINCE 1957
FASHION *JEWELRY TRADEMARK FOR LOSSAU
& KRAMER, CHICAGO, IL. SINCE 1934
CRAFT
FASHION FLAIR *J EWELRY TRADEMARK FOR CORO, INC., NEW YORK SINCE 1957
FASHION FUN *JEWELRY TRADEMARK FOR INTERNATIONAL ASSEMBLIX CORP., TOLEDO, OH. SINCE 1971
FASHION *JEWELRY TRADEMARK FOR BERGER
JEWELRY MFG., ST. LOUIS, MO. SINCE 1941. MARK
GUILD
INCORPORATED THE USE OF SILOUETTES WITHIN AN OVAL WITH THE NAME.
FASHION *JEWELRY TRADEMARK USED BY AVON
PRODUCTS, NEW YORK SINCE 1971
STATEMENTS
THE "LOOKS" AND THEIR DATES(DATES GIVEN ARE POPULARITY ERAS)
AFRO - USEOF COLORFUL AFRICAN
GARMENTS POPULARIZED IN 1960'S-1970'S.
AMERICAN INDIAN - INSPIRED BY BEADING, TRIM,
DOESKIN, TURQUOISE C. 1970'S
ANDROGYNOUS - POSSESSING BOTH MALE AND FEMALE
APPEAL. I.E. BOY GEORGE
ANNIE HALL - BAGGY PANTS, CAHLLIS SKIRTS, SHAWLS, ETC. FROM MOVIE ANNIE HALL
1977
APRES SKI - SKI
RESORT WEAR C.1960'S. VESTS, BOOTS, COLORFUL SPORTSWEAR
ART DECO - GEOMETRIC INSPIRED BY EXPOSITION
INTERNATIONAL DES ARTS DECORATIFS
MODERNES, PARIS IN
1925.
ART NOUVEAU - (AR
NOO VO) LATE19TH-EARLY 20TH CENTURY. NATURAL FORMS, SYLIZED DESIGNS
ATTIC - 1970'S - OLD CLOTHES FOUND
INATTICS
BABY DOLL -
1950'S CHILDISH LOOK, PLEATS, SHORT PAJAMAS. MOVIE "BABY DOLL" C.1957
BARE - 1970'S TINY HALTERS,
BIKINIS, PLUNGING DECOLLEGATE
BONNIE AND CLYDE - 1967 - REVIVAL OF 1930'S
SILHOUETTE, ABOVE THE KNEE SKIRT, 3 PIECE
SUIT W/V NECK - PINSTRIPE
GANSTER SUITES.
BOY
GEORGE - SEE ANDROGYNOUS
BRITISH - CONSERVATIVE ELEGANTSAVILLE ROW
1960'S
BROOKS BROTHERS
- TRADITIONAL WELL TAILORED LOOK, BUTTON DOWN COLLAR, IVY LEAGUE
CARNABY - MOD 1964 - MINI
SKIRTS, BELL BOTTOMS, NEWSBOY CAPS, ETC. NAMED AFTER CARNABY
STREET, A LONDON
BACK STREET.
CASUAL -
INFORMAL LOOK OF PANTS, SHIRTS AND SPORTSJACKETS.
CHELSEA - CENTERED AROUND KINGS ROAD IN LONDON
c.1940-50'S. TIGHT JEANS, OLD UNIFORMS
CHINESE - ORIENTAL STYLES COOLIE COATS, CHINESE
PAJAMAS, MANDARIN COATS, COLLARS.
COSMONAUT - JUMPSUITS AND HELMETS C. 1963.
FEATURED BY SAINT LAURENT.
COUNTRY WESTERN - OVERALLS, STRAW HATS, GINGHAM
DRESSES - "OKLAHOMA" LOOK
COURREGES - ABOVE THE KNEE SKIRTS W/WHITE CALF
LENGTH BOOTS. C. 1965.
CUIR SAVAGE - LEATHER/WET LOOK
DANDY - EDWARDIAN BUT W/RUFFLES AT NECK AND
WRISTS.
DENIM - JEANS,
DRESSES, SKIRTS, REPOPULARIZED AS SCHOOL, POPULAR WEAR C. 1970
EDWARDIAN - 1900'S NIPPED
WAISTLINES, CAPES, NECK RUFFLES
ETHNIC - 1960-180'S ADOPTION OF CLOTHING AND
ACCESSORIES REFLECTING NATIVE COUNTRIES
FLAPPER - 1920'S LOOK OF KNEE LENGTH, LONG
WAISTED BLOUSON AND CHEMESE TYPE DRESSES
BOBBED HAIR W/BROW BAND AND LONG
ROPES OF PEARLS.
FLASHDANCE - DANCEWEAR ADOPTEDFOR FASHION - TIGHTS, LOOSE OVERSIZED SWEATS.
C.1983
FLEA MARKET -
OLD CLOTHING//ACCESSORIES FROM FORMER ERAS SOLD AT FLEA MARKETS.
FUNKY - 1969 - ANTIQUE ATTIC LOOK
- LIMP FADED DRESSES, OLD FASHION PRINTS, PLATFORM SHOES
OVERSIZED AND BAGGY
HOBO STYLES.
G-MEN - POPULARIZED BY ELLIOT NESS/BROWN SUITED LOOK - SEE BONNIE AND
CLYDE
GANYMEDE - LOOK
OF ANCIENT GREECE REVIVED 1969 W/SHIRT/TUNIC SLASHED TO HIP AND
SANDALS.
GAUCHO -
1960-70'S REVIVAL OF CALF LENGTH FULL CULOTTE TYPE PANTS, FULL SLEEVE BLOUSE AND
BOLERO
HAT, ETC.
GIBSON GIRL - ROMANTIC
REINTRODUCED 1967. HIGH CHOKER COLLARS, TUCKED WAISTLINES AND LACY
BLOUSES.
ALSO LEG OF MUTTON
SLEEFES AND HAIR WORN UP IN POMPADOUR STYLE. ORIGINATED W/CHARLES
DANA
GIBSON'S MAGAZINE
SKETCHES C. 1895-1910.
GRAFFITI - ABSTRACT DESIGNS, PIECED FABRICS, LEATHER AND VINYL, BLOBS OF
PAINT. 1970'S - PUNK
GRANNY - ANKLE LENGTH DRESSES, SMALLCALICO PRINTS. POPULARIZED IN ENGLAND EARLY
1960'S AND
REVIVED IN AMERICA C.
LATE 1960'S
GYPSY -
COLORFUL FARMENTS, FULL SKIRTS, BLOUSES, SCARFS, SHAWLS. REVIVED
1960'S.
HAREM - NEAR
EAST. FULL ANKLE HAREM PANTS. LAVISH JEWELRY, CHAINS. REVIVED
1960-1980'S
HARLOW -
1920-30'S BIAS CUT DRESSES, WIDE LEGGED CUFFED PANTS FOR WOMEN. FROM JEAN
HARLOW.
HIGH TECH -
UNUSUAL FEATURES, TECHNOLOGY FABRICS, EASY CARE, NEONS, 1984 +.
HIPPIE - DISHEVELED LOOK,
LONG SKIRTS, FRAYED JEANS, LONG HAIR, FRINGED SUEDE, BARE FEET AND
LONG HIPPIE
BEADS
HUNT -
POPULARIZED 1984 - RIDING APPAREL, TWEEDS, BOOTS
JAPANESE - UNFITTED, KIMONO STYLE, ONE SIZE
GARMENTS
KILTIE -
SKIRTS CUT LIKE KILTSW/KNEE SOCKS. GLENGARRY CAPS AND TAMS. REVIVED
1960'S
LAURA ASHEL Y -
SMALL VICTORIAN PRINTS ON COTTON - GARDEN PARTY PRINTS.
LAYERED - SEVERAL GARMENTS WORN AT ONCE.
1960-70'S.
LEATHER -
NATURAL SUEDE, POPULARIZED IN 1984 FOR WET LOOK
LITTLE GIRL - SEE BABY DOLL. ANKLE SOCKS AND
MARY JANE SHOES 1960'S REVIVAL.
LUNAR - METALLIC JUMPSUITS, SEE COSMONAUT.
1960'S
MAXI - ANKLE
LENGTH STYLE - LATE 1960'S. GRANNY LOOK.
MICHAEL JACKSON - MULTI ZIPPERED JACKETS, WHITE
SOCKS, BLACK LOAFERS, GLOVED HAND 1980'S
MIDI - MID CALF STYLE C. 1967 FOR COATS. tHE
ZHIVAGO LOOK.
MILITLARY
- UNIFORMS, BRASS BUTTONS, MEDALS, WEARING OF ARMY'NAVY SURPLUS
STORES.
1960'S.
MINI - SHORT THIGH LENGTH SKIRTS
1960'S.
MOD - ORIG.
ENGLAND C. 1960'S.MINISKIRTS. BEATLES STYLES. MARY QUANT, BRITISH
DESIGNER.
NAUTICAL - NAVY UNIFORM
STYLES, RED, WHITE AND BLUE - 1960'S. YACHTING WEAR. POPULAR
ORIGINALLY C.
1860'S.
NEW WAVE PUNK -
RIPPED SHIRTS,MOHAWK, SPIKY HAIR, ORANGE PINK. 1970'S
NO BRA - 1960'S LOOK - THEN CAME TOPLESS - THEN
CAME "BARE"
NOMAD -
PATTERNED FABRICS, EMBROIDERY. REVIVAL 1968.
PAPER DOLL - FEATURED BY ANNE FOGARTY C.
1950-55 W/FITTED WAIST AND BOUFFANT SKIRT.
PATCHWORK - INTRODUCED BY ST. LAURENT C. 1969
BY USING "PATCHES" OF VARIOUS FABRICS
TO CREATE A COUNTRY
CRAFT LOOK.
PRAIRIE -
REVIVED 1970'S - LONG DRESSES, CALICO MATERIALS, HIGH NECKLINES.
PREPPY - USING HIGH QUALITY,
DESIGNED TRADEMARKS, IVY LEAGUE, WOOL/CASHMERE, CHINO
ALSO SEE BROOKS
BROTHERS.
PUNK - LONDON
IN 1970'S. PASTYWHITE MAKEUP, BRIGHT COLOR HAIR, LEATHER, STUD
DECORATIONS
DOG CHAINS AROUND THE
NECK,.
RETRO - FROM PAST ERAS
RICH PEASANT - LATE 1960'S. PEASANT AND NATIVE
FABRICS. MIDI LENGTHS W/EMBROIDERY
ROCKER - BRITISH 1950'S. STORMTROOPER AND
MOTOCYCLE LOOK W/CRASH HELMET, TIGHT JEANS.
ROMANTIC - FRILLS, RUFFLES ANDLACE. VICTORIAN
LOOK. REVIVED 1967-
RUSSIAN - 1976-77 BY SAINT LAURENT -RUSSIAN DRESSES AND COSSACK HATS.
SAFARI - REVIVED 1967 BY DIOR.BUSH
JACKET, BELTS, HANDBAGS, ETC.
TEDDY BOY - LONDON 1950'S OF EDWARDIAN JACKETS,
HIGH STIFF COLLARS AND POINTY TOE SHOES.
WORN BY MEN. GREASED HAIR
ANDNO HATS.
TEDDY GIRL
- FAD FOR GIRLS IN 1950'S W'SHORT TIGHT SKIRTS AND VERY HIGH HEEL SHOES
WITH
POINTED TOES. HIGH BEEHIVE HAIRSTYLES. ALSO LONDON BORN FAD.
TYROLEAN - AUSTRIAN TYROL DRESS -
DIRNDL SKIRTS, EMBROIDERY VESTS, KNEE SOCKS
UNISEX - WORN BY MALE OR FEMALE. INTRODUCED IN
1968. CONTINUED POPULARITY. SWEATS, SWEATERS
VINTAGE - DRESS AND ACCESSORIES FROM PAST ERAS.
1980'S POPULARITY. ALSO ATTIC LOOK.
V SHAPE - HUGE SHOULDERS AND OVERSIZED BLOUSES
WITH NARROW TIGHT SKIRTS. 1983'
WESTERN - TIGHT JEANS, COWBOY BOOTS, HATS,
1960'S , 1980'S CONTINUED LOOK IN DUDE JEANS,
DENIM, LEVIS,
WANGLERS.
WET - 1968 -
USING VERY SHINY,LEATHER, VINYL FABRICS. REVIVED 1980'S.
ZHIVAGO - RUSSIAN INSPIRED. OVERBLOSES, HIGH
COLLARS, MIDI LENGTH COATS, BOOTS.
FASHION *JEWELRY TRADEMARK USED BY
COHN & ROSENBERGER, INC. NEW YORK SINCE 1931
SQUARE
FASHIONATA *JEWELRY TRADEMARKFOR CORO, INC., NEW YORK SINCE 1960
FASHIONATIONS *JEWELRY TRADEMARK USED BY FEDERATED DEPT. STORES/FILENE'S & SONS, CINCINNATI, Ohio since 1953
FASHIONLANE *JEWELRY TRADEMARK USED BY ARNO WRAZLOWSKY/FASHIONLANE JEWELRY, PROVIDENCE Ri/since 1920
FAUBY *PERFUMER IN PARIS, FRANCE; 1930'S; "KIS ROYALE"
FAVEY, DOMINIQUE *JEWELRY DESIGNER BORN 1953 IN BADEN BADEN FRG.
FAZE III *JEWELRY TRADEMARK USED BY KEN
ORIGINALS LTD., NEW YORK FOR COSTUME JEWELRY KITS
SINCE 1970.
FEATHAGOLD *JEWELRY TRADEMARKUSED BY
ACCESSOCRAFT, NEW YORK FOR PLASTIC PLATED COSTUME
JEWELRY ITEMS AND ACCESSORIES SINCE 1945
FEATHER *JEWELRY TRADEMARK FOR RA-CE TOOL
& METAL STAMPINGS, NEW YORK SINCE 1946(PRINTED)
TOUCH *ALSO USED BY ALICE JEWELRY
CO., PROVIDENCE RI (MARK IN SCRIPT) SINCE 1955
FEATHERETTE *JEWLERY TRADEMARK USED BY CLAIR C. THOMAS, AULT, CO. FOR "FEATHER" JEWELRY C. 1953
FEATHERING *A DRAGGED OR PULLED PATTERN USED FOR ORNAMENTATION.
FEATHERWEIGHT *JEWELRY TRADEMARK FOR
GREENBAUM NOVELTY, NEW YORK, SINCE 1947 - INCORPORATED
THE FIGURE OF A FLAMINGO.
FEATURE-FLASH *JEWELRY TRADEMARK FOR FEATURE RING CO., NEW YORK SINCE 1940
FEATURE LOCK *JEWELRY TRADEMARK FOR FEATURE RING CO., NEW YORK SINCE 1946
FEDWAY *JEWELRY TRADEMARK USED BY FEDERATED DEPT. STORES, CINCINNATI, OH, SINCE 1952
FEILER, UTE *JEWELRY DESIGNERBORN IN ERFURT GDR IN 1941.
FELDSPAR *SEMI PRECIOUS GEMSTONES SUCH AS AMAZONITE, MOONSTONE AND LABRADORITE.
FERAUD,LOUIS *PERFUMER IN PARIS, FRANCE; 1907'S; "FANTASQUE". ALSO DESIGNED FRAGRANCES FOR AVON
FERRAGAMO *ONE OF THE TOP ITALIAN FASHION, JEWELRY AND ACCCESSORY DESIGNERS.
FERRIS *JEWELRY TRADEMARK FORJACK FERRIS, SPRINGFIELD GDNS., NY SINCE 1961
FERRONIERE
*CHAIN WITH JEWEL AT THE FRONT WORN ON A LADY'S HEAD. THE TITLE COMES FROM AN
ART
WORK IN THE LOUVRE OF "LA BELLE FERRIONIERE" (THE BLACKSMITH'S WIFE). IN
EARLY
VICTORIAN PERIOD, A SIMILAR ITEM WAS WORN AROUND THE NECK WITH A
CHOKER.
FETISH *AN AMULET OR CHARM USUALLY
DEPICTING A PERSON ANIMAL OR THING. IT IS GENERALLY
THOUGHT TO BE MAGICAL AND GUARD THE WEARER.
FI *JEWELRY TRADEMARK FOR FITHIAN, SUN VALLEY, CA. SINCE 1954
FIANCE *JEWELRY TRADEMARK FORGOLDSTEIN-GERSON CO., NEW YORK SINCE 1954
FIDGET *JEWELRY TRADEMARK FORGEORGE J.
HECHT, NEW YORK SINCE 1941 FOR BEADS AND
PRECIOUS STONES.
FIELD *JEWLERY TRADEMARK FOR HARRY H. IELD, SAN FRANCISCO, CA. SINCE 1950
FIELD FLOWERS *JEWELRYTRADEMARK USED BY AVON PRODUCTS, NEW YORK SINCE 1971
FIGURAL *IN JEWELRY AND OTHEROBJECTS D'ART
USUALY REFERS TO DECORATED WITH SOME THEME OR
STORY TELLING - SOMETIMES BIBLICAL. - OR DEPICTINGA PERSON OR
ANIMAL.
FIGURE *WORKER WITH HAMMER ATDESK - SEE SASSEN, GEORGE
FILCRAFT *JEWELRY TRADEMARK OF STERN &
FRIEDMAN, NEW YORK SINCE 1946
IMPORTS
FILENE'S *JEWELRY TRADEMARK FOR WM.FILENE'S SONS CO., BOSTON, MA. SINCE 1912(IN SCRIPT)
FILENE'S *JEWELRY TRADEMARK FOR FEDERATED
DEPT. STORES/WM.FILENE'S, BOSTOM, MA. FOR
FINE AS WELL AS COSTUME JEWELRY SINCE 1940 (IN PRINT)
FILET LACE *LACE WHERE THE DESIGN IS
CREATED BY EMBROIDERING ON NET WITH THREAD SIMILAR TO
THAT USED IN MAKING THE NET.
FILIGREE
*METALWORKING TECHNIQUE THAT PRODUCES A FINE INTERTWINED PATTERN.ALSO
REFERS
TO FINE DELICATEGOLD OR SILVERWORK OF WIRE TWISTED INTO SCROLLS OR
PATTERNS
LEAVING OPENWORK.
*ALSO REFERS TO COBWEB NETWORK OR WIRE LACE. IT ACTUALLY REERS
TOFINE,
LACELIKE WORK DONE IN SILVER OR GOLD WIRE.
FILIGREE
*TYPE OF DECORATION SOMEWHAT LIKE CLOISONNE, BUT HAVINGTHE CLOISONS MADE
OF
ENAMEL
TWISTED WIRE RATHER THAN FLAT ST RIPS OF METAL.
FILLET
*HEAD ORNAMENT IN THE FORM OF A NARROW BAND ENCIRCLING THE HAIR; WORN
BY
GREEKS, ETRUSCAN AND ROMAN MEN AND WOMEN AND OFTEN MADE OF
GOLD INTHE
FORMOF WREATHS OR MYRTLE LEAVES. ALSO REFERS TO A
"HEADBAND"
FINDINGS *GENERIC WORD FOR ANY METAL OR OTHER TYPE OF JEWELRY COMPONENT.
FINNISH
*JEWELRY AND OTHER OBJECTS FROM C.AD500-1100OTHERWISE KNOWN AS
KALEVLA
JEWELRYMADE OF GOLD AND SILVER BY FINNISH CRAFTSMEN. REINTRODUCED IN
1950
UTILIZINGSIMPLICITY AND FEATURING THE USE OF NATIVE GEMSTONES. JOHN
HAYCRAFTIS
ONEPROMINENT DESIGNER/JEWELRY ARTISAN.
FIORET *PERFUMER IN PARIS, FRANCE; 1920'S; "AMBRE BYZANTIN", "L'IMPROMPTU"
FIREFLY *JEWELRY TRADEMARK OF ARTHUR E. NEUMANN, CHICAGO,IL. SINCE 1947
FIREGLOW
*JEWELRY TRADEMARK USED BY ILLINOIS WATCH CASE CO.,/ELGIN AMERICAN, ELGIN ILL.
SINCE
1950.USED FOR SIMULATED PEARL ITEMS.
FISCA
* JEWELRY TRADEMARK USED BY RALPH H. BODMAN, HYANNIS, MA. FOR PEARL
JEWELRY
SINCE 1923
FISCH,
ARLINE
*CONTEMPORARY STUDIO ARTIST/JEWELRY DESIGNER PREFERRING WOVEN METAL AND
TEXTILE
MATERIALS WITH WINGLIKE STYLES. BORN 1931 IN BROOKLYN, NEW
YORK.
FITCH, JOHN *BUTTONMAKER, SILVERSMITH AND WATCHMAKER 1743-1798; CONNECTICUT & KENTUCKY.
FLAN *A PLAIN PIECE OF METALTHAT IS STRUCK BY A PAIR OF DIES MAKING A COIN.
FLANGE *INTERNAL OR EXTERNAL ATTACHMENT USED AS A SUPPORT FOR ANOTHER PART.
FLAPJACK *A ROUND THIN COMPACT. THEY WERE CLASSIFIED AS FOLLOWS:
2-1/2" DIAMETER - COOKIE
2-1/2 TO 3-1/2" - BABY
3-1/2 TO 5" -
STANDARD
5 TO 6" DIA. -
SUPER
ALSO SEE COMPACT, CARRYALL ETC.
FLARE *AN OUTWARD SPREAD
FLASHING
*THIN PROTECTIVE OR DECORATIVE LAYER ON THE SURFACEOF AN ITEM.
ALSO A CASTING
DEFECT OF A THIN EXTRUSION OF METAL THAT ESCAPES AT THE JUNCTUREOF
THE
PATTERN.
FLAW
*INTERNAL FAULT OR IMPERFECTION.DISTINGUISHED FROM A BLEMISH WHICH
IS A MARRING
OF THE SURFACE. FLAWS MAY BE DUE TO INCLUSIONS OF FOREIGN MATERIALTO A
CRACK
OR CLEAVAGE OR A LIQUID FILLED CAVITY.
FLECHES
D' * LOVE
ARROWS. THIN HAIR LIKE SPARKLING CRYSTALS OF RUTILE FOUND
AS IN-CLUSIONS
AMOURS
IN SOME COLORLESS TRANSPARENT QUARTS CALLED RUTILATED
QUARTZ.
FLEMISH
*REFERRING TO FLANDERS, THE OLD NAME FOR WHAT IS NOW COVERED BY
BELGIUM,
HOLLANDAND PART OF NORTHERN FRANCE.
FLEUR
DE
* JEWELRY TRADEMARK FOR MARK DOTTENHEIM, NEW YORK FOR PEARL JEWELRY
SINCE
FRANCE
1920
FLEUR-DE-LIS *(FUR
DE LE) TRADE MARK FOR THE CITY OF VERDUN, FRANCE. THE WORD MEANS
(FLEUR DE LYS) "FLOWEROF
LIGHT" AND IS THE FRENCH SYMBOL OF LIFE AND POWER. IT IS
DESIGNEDFROM
NATURE'S IRIS FLOWER(SOME BELIEVE IT TO BE A LILY). THIS SYMBOL IS FOUND
ON MANY
VICTORIAN, EDWARDIAN AND ART NOUVEAU PIECES AND IS CARRIED ON
INTO MODERN DESIGN.
ITSYMBOLIZED ROYALTY AND THE FRENCH BOURBON KINGS. IT IS ALSO
ASSOCIATEDWITH THE
FRENCHCOAT OF ARMS.
FLEURETTED
*ANGLICIZED FRENCH FOR "BEFLOWERED TRELLIS" A POPULAR DECORATIVE
MOTIF IN MANY
TREILLEGE
FORMS IN FRENCH AND GERMAN ROCOCO ANDL OUIS XV ACCESSORIES.
FLINT *EARLIEST CUTTING TOOLS WERE MADE OF FLINT.
FLINT-ENAMEL *A
GLAZEWHERE SILICA HAS BEEN ADDED GIVING THE ITEM A GLASSY APPEARANCE.
GLAZE
FLIRTEEN *JEWELRY TRADEMARK USED BY S.NATHAN & CO., NEW YORK SINCE 1947
FLOCKINGER, GERDA *JEWELRY DESIGNER/ARTIST BORN IN INNSBRUCK, AUSTRIA IN 1927
FLORA *JEWELRY TRADEMARK USED BY JOSEPH MEYER BROS., BROOKLYN, NY SINCE 1938
FLORALITE PAC *JEWELRY TRADEMARK FOR PETER L. SHEA, UNION CITY, NJ FOR PLASTIC JEWELRY SINCE 1946.
FLORENTINE
*HAVING A TEXTURED SURFACE ON A METAL ARTICLE MADE BY ENGRAVING PARALLEL
LINES
CLOSELY IN THE SAME DIRECTION AND THEN CROSSHATCHING WITH PARALLEL
LINES
MORE LIGHTLY.
FLORENTIN
E *JEWELRY TRADEMARK
USED BY FELCH & CO., INC. PROVIDENCE RI SINCE 1952
LACE
FLORENZA *JEWELRY
TRADEMARK USED BY DAN KASOFF, INC., NEW YORK SINCE 1956. (SCRIPT
LOGO)
(1956-1981)
THEY MADE HIGH QUALITY JEWELRY WITH A LOOK OF FINE AND SOME IN
VICTORIAN
AND REGENCY STYLES. MOST PIECES ARE SIGNED AND SOME ARE DATED.
THEIR INNOVATIVE USE OFRHINESTONES MAKE THEM SOUGHT AFTER BY
COLLECTORS.
THE NAME "FLORENZA" CAME FROM DAN KASOFF'S WIFE "FLORENCE". THEY ALSO
MADE
WONDERFUL BOUTIQUE ITEMS SUCH AS RING BOXES, PIN CUSHION ANIMALS,
LIPSTICK
HOLDERS, FRAMES AND MORE. MOST WERE IN A FRENCH GOLD COLOR.
FLORET *A SINGLE FLOWER HEAD
FLOWER FANCY *JEWELRY TRADEMARK USED BY AVON PRODUCTS, NEW YORK SINCE 1972
FLOWER FINERY *JEWERLYTRADEMARK USED BY AVON PRODUCTS, NEW YORK SINCE 1971
FLUID LOOK *JEWELRY TRADEMARK USED BY CORO, INC. , NEW YORK SINCE 1959
FLUORSPAR *A TRANSPARENT SEMI PRECIOUS GEMSTONE - BLUE-JOHN FOUND IN DERBYSHIRE.
FLUORITE *ALSO KNOWN AS FLUORSPAR, IT IS
FOUND IN A VARIETY OF COLORS.. SOMETIMES
FOUND IN A PURPLE WITH GREEN COLOR ZONING.
FLUTTERBYS *JEWELRY TRADEMARK USED BY RICHTON, INTNL., NEW YORK SINCE 1963
FLUTTERBYS *JEWELRY TRADEMARK USED BY CORO, INC. NEW YORK SINCE 1963
FLYING
TIGERS *JEWELRY TRADEMARK USED
BY FLYING TIGERS (AMERICAN VOLUNTEER GROUP - CHINESE
AIR FORCE, INC., NEW YORKO) SINCE
1945.
FOGLIATA,
A. *METALWARE SHOP
IN CHICAGO, ILLN. ACTIVE FROM 1903-1907. PRIMARILY JEWELRY AND
SILVERSMITH. SHOPMARK UNDETERMINED.
FOIL *FINE SILVER OR GOLD LEAF USED TO INTENSIFY LIGHT PLAY OR COLORING.
FOILED STONES RHINESTONES. SEE ABOVE.
FOLKART
*USUALLY REFERS TO SOLID GOLD JEWELRY MADE BY FOLKART, SCHALL & CO.,
HARTFORD
JEWELRY
CONN. C. 1855.
FONT, ANNA *JEWELRY DESIGNER/ARTIST BORN IN BARCELONA, SPRAIN IN 1945
FONTANIS *PARIS, FRANCE:1920'S" "BLUE ISLE", "TAWAO"
FORTY,
JEAN *18TH CENTURY
FRENCH DESIGNER, ENGRAVER AND METAL CARVER. LOUIS XV PERIOD.
FRANCOIS
FOR
THAT
*JEWELRY TRADMARK USED BY CORO, INC., NEW YORK SINCE 1944
PRICELESS LOOK
FORBIDDEN FRUIT *JEWELRY TRADEMARK USED BY RICHTON, INTNL. NEW YORK SINCE 1963
FOREIGN TEEN *JEWELRY TRADEMARK USED BY HAROLD GOLDKRANTZ, NEW YORK SINCE 1956
FORSTAR *JEWELRY TRADEMARK USED BY FORSTNER CHAIN CORP., IRVINGTON, NJ SINCE 1950
FORSTNER CHAIN *JEWELRY MFG.IRVINGTON, NJ WITH VARIOUS MARKS INCLUDING A CAROSEL SINCE 1935
FORSTNER *JEWELRY TRADMARK FOR ABOVE USING LOGO IN SCRIPT. SINCE 1937
FORTRESS *JEWELRY TRADEMARK FOR FORTRESS WATCH AND JEWELRY, NEW YORK SINCE 1946
FOSSIL *SOME OF THE EARLIEST KNOWN ORNAMENTS AND BEADS WERE MADE OF FOSSILS.
FOSSIL
IVORY *IVORY TAKEN
FROM THE TUSK OF THE MAMMOTH OR WALRUS THAT HAS BEEN BURIED
LONG ENOUGH TO HAVE ACQUIRED A YELLOW, SEPIA OR BLACKISH
COLOUR.
FOSSIL CORAL *A DECORATIVE BROWN STONE WITH A CORAL PATTERN
FOUQUET, GEORGES *JEWELRY DESIGNER BORN 1862 IN
PARIS.DESIGNED IN THE COMPANY OF JULES RENE LALI QUE AND
ALPHONSE
MUCHA.HE ALSO
EXHIBITED AT THE INTERNATIONAL EXHIBITION IN PARIS IN 1900.
FOUQUET, JEAN *BORN IN 1899 IN PARIS SON
OF GEORGES. HIS JEWELRY WAS IN THE GEOMETRIC, ART DECO STYLES
AS
CONTRASTED TO HIS FATHER'S NOUVEAU DESIGNS.
FOUR
HUNDRED *JEWELRY
TRADEMARK OF HELLER-SPERRY, INC., NEW YORK SINCE 1952 (BY LA TAUSCA)
COLLECTION
FRAGONARD *PARIS, FRANCE: 1930'S; "BELLE DE NUIT"
FRANCOIS *JEWELRY TRADEMARK FOR CORO USED SINCE 1937
FRANCOIS *JEWELRY
TRADEMARK USED BY CORO, INC. SINCE 1937
JEWELS BY
FRANKISH
*JEWELRY OR OBJECTS MADE IN GAUL (PRESENT DAYFRANCE/GERMANY) DURING
THE
C. 482 UNTIL THE 10TH CENTURY INCLUDING MEROVINGIAN JEWELRY AND
CAROLINGIAN JEWELRY.
FREDERICS, *JEWELRY TRADEMARK
FOR JOHN-FREDERICS, INC., NEW YORK SINCE 1929
JOHN
FREEMAN- *JEWELRY COMPANY,
PROVIDENCE RI SINCE 1946
DAUGHADAY
FREIRICH *VICTORIAN LOOKING
JEWELRY MADE BY SOLOMON FREIRICH FROM GERMANY AND THEN
AMERICA C. 1910. LATER WENT TO BUTTON AND ORNAMENTATION PRODUCTION
FOR
FASHION INDUSTRY. FREIRICH CLOSED, HOWEVER THEIR JEWELRY WAS BEEN
PRODUCED
UNDER THE NAME ARTHUR DAVID SINCE 1987. THEY CEASED OPERATION IN
1990.
FRENCH CAN *JEWLERY
TRADEMARK USED BY JOHN RUBEL CO., NEW YORK SINCE 1943
CAN FLOWER
FRENCH
IVORY *IMITATION OF IVORY
TUSK IN GRAINED CELLULOID OR PLASTIC. IT IS A REGISTERED
TRADEMARK. OTHER IMITATIONS NOT SO GOOD WRE IVORETTE, IVORINE, IVORY
PYRALIN,
DUBARRY PYRALIN. IN THE 1870'S THERE WAS A SHORTAGE OF IVORY FOR BILLIARD
BALLS
AND JOHN WESLEY HYATT MIXED NITRIC ACID AND CELLULOSE TO MAKE CELLULOID.IT
WAS
THE FIRST PLASTIC TO LOOK LIKE IVORY. FRENCH IVORY PRODUCTSWERE ALSO
MADE BY
THE J.B.ASH CO. OF ROCKFORD ILLINOIS.
FRENCH JET *NOT
JET AT ALL BUT GLASS - HEAVIER, COLDER, HARDER AND MORE BRITTLE
THAN ACTUAL FOSSIL JET. EVEN THE NAME "FRENCH" IS A MISNOMER SINCE
MOST
OF THE SOCALLED "FRENCH JET" CAME FROM BOHEMIA. THIS TERM IS USED
INCORRECTLY
TODESCRIBE ALMOST ALL JET, BLACK ONYX AND BLACK GLASS WHICH ARE ALL
COMPLETELY DIFFERENT.
*MISNOMER FOR ANY FACETED BLACK GLASS THAT RESEMBLED JET.
FRENCH
PASTE *THE PERIOD OF LOUIS
XV AND XVI WERE KNOWN AS "THE GOLDEN AGE OF PASTE"..
IT WAS WORN BY ARISTOCRACY AS A SUBSTITUTE FOR TRUE GEMS. PASTE ITSELF
IS
COMPOSED OF POUNDED ROCK CRYSTAL, ALKALINE SALTS AND COLORED WITH
METALLIC OXIDES. SEE ALSO PASTE.
FRENCH PLUME *JEWELRY TRADEMARK USED BY C.F. MUELLER, JERSEY CITY, NJ SINCE 1960
FRENCH TOUCH *JEWELRY TRADEMARK USED BY PARFUMS CHARBERT, INC., NEW YORK SINCE 1945
FRESHURA *JEWLERY
TRADEMARK USED BY MARVELLA PEARLS, INC., NEW YORK SINCE 1958
FREY, MICHAELA * AUSTRIAN JEWELRY DESIGNER/COMPANY SPECIALIZING
IN ENAMEL JEWELRY.
FRIEDLICH, DONALD *CONTEMPORARY JEWELRY
DESIGNER/ARTIST PREFERRING COLORFUL ABSTRACTS IN CARVED
STONE - ONYX, LAPIS, GLASS, SLATE.
FRINGE *ANY DANGLING
DECORATION MADE OF TEXTILE OR GLASS BEADING SUCH AS THAT ON
LAMPSHADES, JEWELRY, GARMENTS, FURNITURE TRIM OR HAIR
ACCESSORIES.
FROG JEWELRY
*USUALLY A BROOCH OR PENDANT IN THE FORM OF A FROG OR TOAD AND SET
WITH
GEMSTONES. SOMETIMES WORN AS AN AMULET AS THE FROG WAS THOUGHT TO
BRING MARITAL HAPPINESS.
FROHLICH, MAX *JEWELRY DESIGNER/ARTIST BORN IN ENNENDA, SWITZERLAND IN 1908.
FROMENT
*(1802-1855) FRENCH JEWELER IN GOTHIC JEWELRY DURING THE 19TH CENTURY. HIS
STYLES WERE
MEURICE
F.G. DECIDEDLY ROMANTIC AND
NEO-GOTHIC IN STYLE AS INFLUENCED BY THE ART NOUVEAU MOVEMENT.
FROMENT
*(1837-1913) PARISIAN GOLDSMITH AND JEWELLER. ROMANTIC STYLES-SOME ART
NOUVEAU
MEURICE, EMILE
FROST ARTS
*LOCATED IN DAYTON OHIO AND PRODUCING C.1915 HAND HAMMERED COPPER,
WORKSHOP
AND
CRAFTS COPPER ACCESSORIES. THEIR SHOPMARK
WAS A TRIANGLE ENCOMPASSSING COMPANY'S
INITIALS.
FROZEN FIRE *JEWELRY TRADEMARK FOR LEADING JEWLERY MFG., MAMORONECK, NY SINCE 1951
FULLER BRUSH CO *HARTFORD CT: C.1950'S FOR PERFUME;
FUNERARY
*OF OR INCLUDED IN THE FUNERAL TO BE BURIED WITH THE DEAD AS WITH
NOBILITY,
POSSIBLY A CROWN OR AS AN EXAMPLE THE ITEMS OF JEWELRY BURIED IN THE TOMB
WITH
TUTANKHAMUN.
FUNERAL
*REFERS TO THE MEMORIAL PRINTED HANDKERCHIEF USUALLYPRINTED IN BLACK ON
COTTON
KERCHIEF
GIVEN TO EACH MEMBER OF A FAMILY.
FUNERAL RING *A GOLD OR
SILVER RING SOMETIMES GIVEN TO MOURNERS ATTENDING THE FUNERAL
AND
ENGRAVED WITH THE NAME OF THE DEPARTED. SOMETIMES THESE WERE
"HAIRWORK".
FUTURA *JEWLERY TRADEMARK USED BY CORO, NEW YORK SINCE 1953
FUTURAMA
*JEWELRY TRADEMARK USED BY CORO , NEW YORK SINCE 1953